Fire is elemental. It is so elemental evolutionary biologists claim that it has been burned into our DNA to respond to it. When seated around a campfire, our blood pressure decreases. It soothes us, and sustains us. For millennia, we have worked on mastering fire. One place this is most evident is in the cave paintings at Lascaux.
Ice has a similar ancient beginning; the ice age is what allowed our earliest ancestors to cross great distances and populate the earth. Fire and ice are two elements that seem to be polar opposites, but which we also tend to link together. As the great poet Robert Frost once penned:
Some say the world will end in fire,
Some say in ice.
From what I’ve tasted of desire
I hold with those who favor fire.
But if it had to perish twice,
I think I know enough of hate
To say that for destruction ice
Is also great
And would suffice.
This is the season when we see the two side by side. Winter frosts compel us to build a fire in the fireplace. Hearth and home would not be the same without the comfort fire can bring, and the refuge it provides from the frigid outdoors. Like moths to a flame, we can’t help but be drawn to fire. Few things are more soothing than to be curled up on a nice wingback chair with a mug of cocoa in front of the fire.
However, as Robert Frost warns fire and ice can be destructive. We have witnessed the destruction fires can cause on center stage in California this year. However, in the hands of someone who can tame its flames, fire can produce a beauty beyond compare. I speak of the master flame painter Ron Kamerlink.
Armed with only a blowtorch, Kamerlink uses copper as his canvas, and, relying on the elements to create mesmerizing colors, he creates incredible works of art ranging in size from small wearable art pieces (earrings and necklace pendants) to huge machine-sized works like the piece he created for Coppermine Winery.
Ron’s flame painting journey began after a special piece of jewelry caught his wife’s eye when they were traveling. They purchased the piece and after examining it they thought ‘we can do this’! As Ron began soldering copper for jewelry he was entranced by the colors the flames made on the copper, and what was once a simple mechanism for connecting jewelry pieces, started to take center stage as he began to use his blow torch as a paintbrush.
Copper Mining Country…
Murphy’s, CA is in the heart of old copper mining country. In fact, it’s adjacent to a town called “Copperopolis”. So, it is fitting that Ron work with copper. However, the copper he uses doesn’t come from his backyard. He sources it from Arizona, Nevada, New Mexico and New York. “There is one source in Europe I use because of their large assortment of precut pieces.”
The Color of Fire…
According to Ron, “The various colors are caused by the continuous heating of the copper with a small tip oxy-propane torch. The heat brings different oxides of the copper to the surface. There are 7 or 8 different colors that come out at different temperatures.” But, it’s difficult to achieve color variation. As Ron puts it “there is a very large learning curve to know when to ease off on the heat.” The challenge of developing the full range of colors on every piece whether it be an 18-inch platter or a 3/4-inch earring is what motivates Ron and sparks his creativity.
Like an old penny or the statue of liberty, copper does oxidize and change color when exposed to air and the elements. To preserve his flame painted designs, Ron applies a protective coating to stop further oxidation
A Match Made in Heaven…
Ron’s muse is Mother Nature, and he is fortunate to be surrounded by beautiful mountains, rivers, and trees in Murphy’s. It is a natural wonder that still fascinates and awes Ron each time he reaches for his blowtorch and “coaxes forth the beautiful colors present in copper”.
It’s that Chuck Berry time of year: summer is over, school days are here, and it’s time to hit the books! I cannot wait to introduce you to our Fall 2017 to Fall 2018 Bohemian Book Club lineup! Cue Chuck Berry’s song School Days…
But before I walk you through our year in books, let’s briefly discuss the framework and intention of the Bohemian Book Club:
How are the titles chosen each year?
This reading list was curated with Becoming Bohemian in mind. It includes books both by and about bohemian icons; books about philosophy, art, music, food, travel and social activism. The goal of the Bohemian Book Club is to read both deeply into each title as well as widely into many genres; to expand our literary horizons and become more bohemian.
You will notice these titles are by no means the latest releases in the publishing world. This is by design. New releases are hot commodities and often difficult to procure at your local public library. Few pastimes enrich my life to the degree that reading does, and I want to ensure everyone is equipped to read along with an internet connection and library card.
How do I join the Bohemian Book Club?
There are a few ways to get connected and read along:
Live Monthly Book Club Meetings: Our main monthly event and connection point is the Book Club livestream. The Book Club will be live the last Thursday of the month on Facebook Live at 7 PM PST/10 PM EST, with the exception of January 2018 when it will be held on the 31st at 7 PM PST/10 PM EST. Join us live and discuss the books with the community and a guest expert.
Facebook: Join the Becoming Bohemian community on Facebook to discuss our monthly selections and all things reading-related. From reviews to memes, we’ve got reading covered. No spoilers allowed.
Email: Sign up for our newsletter to get reminders about upcoming book club news and events.
That’s all for the set-up! Without further ado, please meet the inaugural Bohemian Book Club Reading List with a brief description of how each title fits in:
Summer is over. But, that doesn’t mean that the road trip has to end! Enter Jack Kerouac’s wild adventure on the road. It is considered a defining work of the bohemian beat movement, with its characters living life against a backdrop of jazz, poetry, and the postwar American landscape. Heralded by Time Magazine as one of the best 100 English-language novels of our time, this book should have a spot on every boho’s bookshelf.
Many know about her husband Scott and his defining novel The Great Gatsby. But, few know just how much Zelda not only influenced his work, but may arguably have been the better writer of the dynamic Fitzgerald duo. This month we’ll get to learn all about Zelda through the book that inspired the hit Amazon series Z: The Beginning of Everything. This is the month where we will encourage club attendees to dress up in flapper gear for a swanky, speakeasy style party.
Prepare for a real feast! This month is all about food. Emile Zola describes food like no other. Here’s a bite-sized amuse-bouche of what to expect in this month’s delicious book: “All around them the cheeses were stinking. On the two shelves at the back of the stall were huge blocks of butter: Brittany butter overflowing its baskets; Normandy butter wrapped in cloth, looking like models of bellies on to which a sculptor had thrown some wet rags; other blocks, already cut into and looking like high rocks full of valleys and crevices. […] But for the most part the cheeses stood in piles on the table.”
I recommend pairing this book with a robust merlot, accompanied by sliced pears topped with fourme d’ambert blue cheese.
This is a shorter book for a shorter month of reading. But, as the saying goes: good things come in small packages, and A Girl of The Limberlost illustrates that trope brilliantly. As winter begins to rear its angry and stormy head, this young adult novel is a welcome escape into the beautiful great outdoors.
Honor Martin Luther King Jr. Day with March. This graphic novel is a vivid first-hand account of Congressman John Lewis’ lifelong struggle for civil and human rights, meditating in the modern age on the distance traveled since the days of Jim Crow and segregation. Rooted in Lewis’ personal story, it also reflects on the highs and lows of the broader civil rights movement.
Rodin is widely known as one of the most sensual artists to have ever breathed with such famous works as The Kiss and Eternal Springtime. This book takes a look at how aspiring sculptor Camille Claudel became Auguste Rodin’s apprentice, muse, and mistress. Their passion is etched into the smooth marble sculptures we all know and love today.
When it comes to Alain de Botton’s works, I have serious writer’s voice envy. Sharp witted and approachable, Alain de Botton deftly explains how a study of philosophy can help us all deal with existential angst. Drawing inspiration from six of the finest minds in history – Socrates, Epicurus, Seneca, Montaigne, Schopenhauer and Nietzsche – he addresses lack of money, the pain of love, inadequacy, anxiety and conformity.
Ahhhh April, a time when birds start whistling their springy tunes and we will too! This book is all about music education. A little about the author from his bio page, and why he is worth listening to: Alex Ross has been contributing to The New Yorker since 1993, and he became the magazine’s music critic in 1996. He writes about classical music, covering the field from the Metropolitan Opera to the downtown avant-garde, and has also contributed essays on pop music, literature, twentieth-century history, and gay life. His first book, The Rest Is Noise: Listening to the Twentieth Century, a cultural history of music since 1900, won a National Book Critics Circle award and the Guardian First Book Award, and was a finalist for the Pulitzer Prize.
Another bohemian icon, Thoreau’s off-the-grid living has been the inspiration for many minimalists and non-conformists to follow. The way he describes his transcendentalist and existentialist ideology is poetic: “I went into the woods because I wished to live deliberately, to front only the essential facts of life. And see if I could not learn what I had to teach. And not when I came to die, discover that I had not lived.”
Is hacking and whistleblowing where bohemian activism is heading? Here is the ultimate book on the worldwide movement of hackers, pranksters, and activists that operates under the non-name Anonymous; by the writer the Huffington Post says “knows all of Anonymous’ deepest, darkest secrets.” There is no doubt that this will be an exciting summer read!
“I wish you would get it and read it because it is really a bloody wonderful book.”~Ernest Hemingway
You know that anything that comes highly recommended by Ernest Hemingway is sure to be an impeccable work. This book is an autobiography about a lesser-known bohemian, Beryl Markham. She was a triple threat: an aviator, racehorse trainer, and rare beauty. Her writing and philosophy is every bit as gorgeous as her outer appearance. Buckle up for a life-changing ride with this bohemian icon over the plains of Africa.
Isadora Duncan is known as the woman who broke with tradition and brought the world Modern Dance. She claimed ballet was “ugly and against nature.” She wanted her “modern” dance style to be free and natural. She believed that “nature is the source of the dance; the movement of the waves, of winds, of the earth is ever in the same lasting harmony.” However, while her carefree movements on the stage are what made her famous, her inner, personal life was certainly not free from cares and trials. This book gives us a glimpse behind the curtain at the raw and real Isadora.
Get excited my fellow bookish bohemians! This is going to be a mind-blowing year of exploration, deep thoughts, and heart talks. Please drop me a line if you have any questions or concerns about the BBC (not the British Broadcasting Corporation–although I love it dearly–but, the Bohemian Book Club).
There are always flowers for those who want to see them.” ~ Henri-Émile-Benoît Matisse
Have you ever experienced the road rash that comes from a spectacular Vespa fall in the South of France? While I can’t whole heartedly recommend it, I can say that I would do it all again for the experience. Not the experience of falling, but the experience of standing in front of a master work by a master artist with blood running down my shin and the overwhelming sensation that all the paths I have walked down in life– the tumbles and the triumphs–are shapes of paper in a collage that individually seem insignificant, but collectively mean everything.
The date was June 21st, 2012. The place was The Musée Matisse in Nice. The artist was Henri-Émile-Benoît Matisse. The work of art was Nu bleu IV – 1952.
Nu Bleu IV, Henri Matisse, 1952
Matisse once said “There are always flowers for those who want to see them.” I think he meant there is beauty to be found everywhere: in the simplest of expressions and in the seemingly mundane; it’s all about perspective. I believe this statement to be true. I also believe that occasionally out of the seemingly banal and Albert Camus-esque absurdity of life we can be blessed with meaningful moments, if we are open to them.
However, I have also found that while roses can be found everywhere for those who are willing to stop and smell them, and meaning can be made out of triviality, some flowers are like the rare Middlemist Red, and some of life’s experiences will never be duplicated.
When you see Middlemist Red twice in 5 years you can count yourself very lucky, and I lucked out when I stumbled upon a Matisse-like master artist and her paintings last month.
The date was July 15th, 2017. The place was the Renegade Craft Fair in San Francisco. The artist was Mary Finlayson. The work of art was French Masters, Plants and Blankets –2017.
French Masters, Plants and Blankets, Mary Finlayson, 2017
Mary Finlayson is the San Francisco based artist behind paintedmary.com. A transplant from British Columbia, Finlayson grew up surrounded by beauty. Inspired by nature, she has painted large and colorful landscapes. But, she has not limited her scope to the exterior world:
I am interested in the stories that interiors contain and how we use these spaces to tell stories. I never look at a room without thinking of the choices inherent in each object and how they are used to portray personal narratives. When I am in other people’s homes I think of myself as a voyeur, glimpsing at the intimacy of how one creates a home and uses interior spaces to reflect their personal identity. Interior spaces are deeply personal and reveal an intimacy that is rarely discussed or considered.” ~Mary Finlayson
Another clear point of intersection for Mary and Matisse is the therapeutic nature of both artists’ works. Drawing on color theory and expressionism, each artist creates special moments of joy and serenity for their viewers. Mary’s mastery of “Art Therapy”, the subject of her advanced degree, is evident in each of her paintings. Her deft use of fauvism pushes boundaries as it experiments with more colors than just the normal palette eradicating stigma and stereotypes, and helping the viewer to see the value in their own different and unique perspective.
It would seem that Mary and Matisse share the same vision for their art, as Matisse once said:
What I dream of is an art of balance, of purity and serenity, devoid of troubling or depressing subject-matter, an art which could be for every mental worker, for the businessman as well as the man of letters, for example, a soothing, calming influence on the mind, something like a good armchair which provides relaxation from physical fatigue.” ~Henri-Émile-Benoît Matisse
Yellow Chair, Mary Finlayson, 2017
Mary’s artwork achieves the goal Matisse was striving for: a mental escape to a world of color, shape, and serenity; and the assurance that Vespa rides to museums in the South of France, while dangerous, are always worth it.
If you’re going to San Francisco, be sure to wear flowers in your hair…and go to the “The Summer of Love Experience: Art, Fashion and Rock & Roll” exhibit at the de Young museum.
50 years ago, thousands of young people flocked to the city for a season that would change the world. It was the summer of love—the summer that really put San Francisco on the map as the epicenter of modern bohemianism.
The de Young museum has done an excellent job creating not just an exhibit, but an experience for its patrons. You come away feeling like you passed through a wrinkle in time and lived the summer of 1967 in San Francisco. So whether it’s your first time in the city by the bay, you’ve visited before, or are a full-time resident, the de Young museum’s latest offering is not to be missed!
The exhibit catalog begins with an essay by Dennis McNally titled Not Past At All: The Legacy of San Francisco’s Summer of Love. In his essay he demonstrates the impact of the Summer of Love era on culture and society:
As William Faulkner so wisely put it in another context, ‘The past isn’t dead. It isn’t even past.’ The Summer of Love era has never really left us; our current national culture wars are rooted in the profound intellectual challenges of the 1960s, which themselves go at least as far back as the 1840s, when bohemianism—art and the spiritual arrayed against bourgeois achievement—arose in Europe, and when Henry David Thoreau confronted American notions of its own exceptionalism, the Protestant work ethic, and humankind’s relationship to nature.”
The fact that the Summer of Love played an integral part in the evolution of bohemianism is indisputable. When people hear “boho” or “bohemian-chic”, most automatically think of the late 60’s and early 70’s. Flower crowns, peace signs, drugs and rock and roll all have become the icons today’s society associates with hippie culture and bohemians. All of these bohemian emblems, this exhibit suggests, can trace their history back to this fateful summer in San Francisco.
As the Director and CEO of the Fine Arts Museums of San Francisco explained:
Though the 1960s counterculture was an international phenomenon, the “Summer of Love,” as it was proclaimed by the media, in San Francisco was unique, namely because it was as much a creative movement as it was a political one. Artists, designers, poets, writers, musicians, and performers developed their own visual language and new forms of communication, leaving a legacy of material culture that owes an aesthetic debt to the city of its origin.”
Something truly unique about this exhibit is that it begins outside of the museum. Walking up to the museum doors, visitors can see iconic street signs such as “Haight” and “Ashbury”; there are large blown up images of popular buttons from the era with slogans such as “Make love not war” and “Equal Rights” on the ground and plastered all over the windows. This was intentional and fitting as the events surrounding the historic Summer of Love took place on the grounds around the museum and in the Haight Ashbury neighborhood a stone’s throw away.
Once inside the building, and downstairs in the exhibit gallery, museum patrons will walk down a long hall wallpapered with black and white photos and philosophical quotes from the champions of the Summer of Love.
The lesson on the bohemian philosophy of the hippie movement continues inside the first gallery with a collection of books on display. These books are the genesis of the ideology that led to the Summer of Love. They are the literature of the movement—the bohemian canon.
In addition to the literature of the movement, The Trips Festival of 1966 is contextually significant. This festival became, in essence, a “preview of coming attractions” for the Summer of Love three years later. In the Trips Festival gallery you can experience the festival through an old black and white film of the event itself projected on the walls of a small space.
The trippiness of the exhibit does not begin and end with information about the Trips Festival, you get to experience what an LCD trip would feel like in a room with a psychedelic light show projected on the walls and bean bag chairs on the floor.
Without giving too much away, because I do want you to go and experience the exhibit yourself, I have to say that in my opinion the piece de resistance for the entire exhibit is the fashion. Mannequins dressed in clothing that was popular and worn by influential people from the era are displayed throughout the galleries.
So, listen to Scott McKenzie’s hit song, and head to the de Young museum in Golden Gate Park before the exhibit closes on August 20th.
Ten things not to miss in ‘The Summer of Love Experience’:
Psychedelic LCD trip simulation room
The 1967 message board from the Psychedelic Shop, including a notice about hippie volunteers cleaning Haight Street Saturday mornings.
Robert Rauschenber’s Revolver II, 1967.
Birgitta Bjerke’s crocheted wool and glass-bead bedspread, commissioned by Frankie Azzara, girlfriend of Grateful Dead guitarist Bob Weir.
Jerry Garcia’s red-and-white striped “CaptainTrips” top-hat.
Rainbow Cobblers, “Sequoia” boots, ca. 1970. Appliqued dyed leather.
“Watergate” Jeans, ca. 1973. Cotton denim with printed, hand-drawn, stamped cotton plain weave appliques.
Stanley Mouse and Alton Kelley’s Grateful Dead posters.
Humbead’s Map of the World, 1968, Color offset lithograph poster by Earl Crabb and Rick Shubb.
Larry Keenan’s gelatin silver print of Micahael McClure, Bob Dylan, Allen Ginsberg, 1965.
‘THE SUMMER OF LOVE EXPERIENCE’:
When: April 8-Aug. 20, 9:30 a.m.-5:15 p.m. Tuesday-Sunday
Where: de Young Museum, 50 Hagiwara Tea Garden Drive, Golden Gate Park, San Francisco
Wine cheers the sad, revives the old, inspires the young, and makes weariness forget his toil.” ~Lord Byron
I realize that the words I am about to type will be viewed as sacrilege by many. But, I just can’t help but make the following statement and comparison: Prince, formerly “The Artist Formerly Known as Prince”, should change his name once more to “The Artist Formerly Known as Lord Byron”. Why? Because Prince is basically Lord Byron version 2.0.
Like Prince, Lord Byron was perhaps the most talented, over-sexed, famous and controversial icon of his time. For him, anything worth doing was worth overdoing. With his expressive writing, flare for the flamboyant, and political activism, Byron challenged societal norms as few artists have, making his mark on nineteenth-century art, poetry, politics, and fashion. His image and name will forever be connected to bohemianism…and wine.
According to Edna O’Brien, “Lord Byron insisted that his Cambridge college dorm room be outfitted with various glasses, decanters and four bottles each of wine, port, sherry and claret. He also brought his pet bulldog.” (See Edna O’Brien, Byron in Love (W. W. Norton & Company, 2009).
It’s impossible to speak for the dead. But, if he were alive today, I am sure Lord Byron would have loved Napa. Through this guide, I hope to share with you the specific New World bottles I think he would have requested for his dorm wine cellar, the wineries he would have frequented, and the wine club memberships he would have held. In short, the following is a Napa Valley wine tasting adventure that I hope Lord Byron, The Artist Formerly Known as Prince, and you—my fellow bohemian wine enthusiast—will all enjoy. Because, as the famous poet himself once said: “Wine cheers the sad, revives the old, inspires the young, and makes weariness forget his toil.” Cheers!
If Lord Byron only drank one California red wine, it would most certainly be from Quintessa. Why you ask? The answer is simple: Quintessa red wines are pure, unadulterated, poetry in a bottle. It is THE winery you go to if you can only visit one winery in the valley. Period. Full stop. Mic drop. The bottles are not cheap. But, they certainly have the leg up on their competitors when it comes to production quality. And, speaking of legs, at 14.5% alcohol content, a glass of 2013 Quintessa Rutherford Red has legs for days!
Recommended Wine Details
Appellation: Rutherford, Napa Valley Harvest Dates: September 6 to October 18, 2013 Varietals: Cabernet Sauvignon, Merlot, Cabernet Franc, Petit Verdot, Carmenere Maceration: 21 to 25 days average
I will pick the mic back up for a moment to say that Quintessa is more than the bottles of wine it sells. Visiting Quintessa is an unparalleled back-to-nature experience. I’ll hand the mic to Lord Byron for his poetry reading to more adequately describe the way you feel when you visit Quintessa:
There is a pleasure in the pathless woods, There is a rapture on the lonely shore, There is society, where none intrudes, By the deep Sea, and music in its roar: I love not Man the less, but Nature more, From these our interviews, in which I steal From all I may be, or have been before, To mingle with the Universe, and feel What I can ne’er express, yet cannot all conceal.
Clearly, Lord Byron really gets Quintessa. But, you don’t have to take Byron’s word for it. If the poem wasn’t enough to pique your curiosity about the natural wonder and beautiful setting of the Quintessa estate, you can learn more about the winery and its unique, biodynamic production process from the owners and winemakers themselves here:
Too much wine on an empty stomach is never a good idea. After your tasting and tour of Quintessa, there are two excellent nearby lunch options Lord Byron would surely frequent if he could:
1. V. Sattui for a 19th Century Manet-style (minus the nudity) picnic on the grass. A short 8 minute Uber ride from Quintessa, V. Sattui is always a good idea. Bring a picnic blanket, buy your lunch and a bottle of wine from the Deli, and relax under a tree in front of the main buildings. On weekends they have outdoor BBQ and wonderful brick oven pizza you can purchase for your picnic.If you are in the mood to splurge, you can opt instead for one of their more premium picnic packages. This allows you to reserve a private picnic table on the spacious grounds, and enjoy the ideal combination of artisan foods prepared by their Michelin Star Italian chef Stefano Masanti, paired with wine from V. Sattui’s exclusive cellars.
2. Cindy’s Backstreet Kitchen is perfect if you are dealing with an inclement weather situation on your trip, or you simply would rather sit indoors at a table. You really can’t go wrong with Cindy’s Backstreet Kitchen. Lord Byron would have loved the history of this place. Once a bordello and speak easy, if these walls could talk, they would have many stories of sordid love affairs and bootlegged liquor to tell.
The décor is minimalistic: light, bright, and charming. If you are “wined out” (gasp) at this point, this is the place to go for a perfectly balanced cocktail or North Coast Brewery Scrimshaw pilsner beer. The menu is full of modern twists on old comfort food favorites.
Because I love cheese almost as much as I love wine, I suggest starting with the grilled local white peaches, burrata, crispy walnuts and saba. On my last visit, I had the Chinatown Duck Burger with housemade shiitake mushroom ketchup and French fries. Every time I visit feels like coming home—perhaps because my own mother’s name is Cindy.
Admittedly, I am sparing no expense with the wineries I recommend on this post. Lord Byron was not a man who worked within a budget (which got him—and his family into some trouble on many occasions). These are the “say ‘yes’ to life” wines California vineyards yield. Consistently high point wines, they are not mass-produced on a scale like Robert Mondavi. They are truly palate expanding experience wines analogous to the difference between a Thomas Kinkade painting and Mark Rothko work of art. The latter is Cardinale the former is Mondavi. Both have their place and purpose in the world. But, there is a reason that Rothko is found in museums and auctioned at Sotheby’s, and Kinkade is hung next to Dr. Seuss prints in tourist town galleries and the subject of 1000 piece puzzles shelved next to the kitten puzzles in toy stores.
I love Mondavi dessert wine! But, Cardinale is for serious vinos. This is the wine that separates the men from the boys. Like Quintessa, a Cardinale tasting experience is practically a Catholic mass. I assure you, that is not meant to be a sacrilegious statement, nor is it hyperbole. It is spiritual. If you have time after Quintessa, make a reservation for a tasting at Cardinale. You will not regret it. The 2013 Cabernet Sauvignon is definitely the bottle Lord Byron would reserve to share with the women and men in his life he would like to impress.
Recommended Wine Details
Appellation: Mount Veeder, Napa Valley Harvest Dates: September 6 to October 18, 2013 Varietals: Cabernet Sauvignon, Merlot Maceration: 21 to 25 days average
Had they been contemporaries, I am sure Lord Byron and Rene di Rosa would have been friends. Yale educated, and a writer himself (SFChronicle), he too had a flare for the flamboyant and a deep love of art and wine. The Di Rosa property is gorgeous. Peacocks roam the estate, and the views of winery lake and nearby mountains are lovely. But, the real reason you go to di Rosa, is for the art. The collection includes significant works by Bay Area artists, including: Robert Arneson, Mark di Suvero, Robert Hudson, Paul Kos, and William T. Wiley. Purchase tickets online here for a 90 minute tour of the art and grounds.
After your wine and art adventure, I recommend relaxing at the Meritage Resort and Spa. Unwind with a massage, then sit on your balcony with a glass of complimentary wine from your room and a good book of Byron poetry. Freshen up for dinner. You can take the sprinter van shuttle the hotel provides into town for more wine at Vintners collective and dinner at Morimoto.
Vintner’s Collective is a unique tasting room. This is the place Lord Byron would definitely have a wine club membership and here is why: They have a collection of wines that are usually the small-batch passion projects of some very famous winemakers in the valley. Their wine is unique and expressive. The labels are obscure. They have a whole range of wine to suit every budget.
Sit at one of the bar stools and have a tasting before walking down the street to Morimoto for an unforgettable sushi experience. If you aren’t completely smashed after a day of tastings, be sure to order the Moshi-Moshi. It is a sake based cocktail complete with flower foam.
I have many more wineries to recommend, and many more Napa tales to tell. But, as this post is already too long, I feel it is time to say farewell. Yes, that was my pathetic attempt at a poem. Lord Byron will bid you adieu more elegantly: